At a recent exhibition in Copenhagen, visitors encountered Huk, an AI-driven jaguar created by Bolivian Australian artist Violeta Ayala. Huk shares stories about the Bolivian Amazon while interacting with the audience. This project exemplifies the growing trend of artist residencies that provide access to AI tools, fostering creative experimentation. These residencies, like those at Mila and Villa Albertine, allow artists to explore AI’s implications and articulate their creative intentions. Villa Albertine plans to add an AI track to its upcoming program, encouraging diverse perspectives on AI. While these initiatives promote artistic exploration, they also raise unresolved issues about authorship and compensation in AI-generated art. Legal questions loom, as lawsuits challenge whether AI models trained on copyrighted work constitute fair use. Amid this debate, Ayala emphasizes the importance of building equitable alternatives to existing practices, highlighting how residencies can shape the relationship between art, technology, and society.
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AI Residencies Aim to Transform the Dialogue on Artificial Art

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