“Terms & Conditions Opera: A Legalese Libretto,” by Jake Elwes, playfully critiques AI and corporate legal jargon through an absurdist operatic performance. Elwes humorously fed AI-generated fine print from OpenAI into its own tool, resulting in a composition that contrasts mundane legal terms with grand operatic flourish. This work, part of the “Subject to Change” exhibit at London’s Gazelli Art House, highlights the urgent discussions surrounding AI’s impact on creativity and intellectual property. Elwes emphasizes concerns about AI’s use of artists’ works without credit, advocating for critical engagement with these technologies. The exhibit features other artists exploring similar themes, including Auriea Harvey’s reflection on history through AI-generated imagery. Overall, “Terms & Conditions Opera” merges humor with serious critique, prompting audiences to consider the implications of feeding corporations and AI models. By highlighting the intersection of technology and creativity, the exhibit encourages a thoughtful approach to AI’s evolving role in society.
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